Jean-Marc Vallée, Canadian director and screenwriter
Jean-Marc Vallée (March 9, 1963 – December 25, 2021) was a Canadian filmmaker, film editor, and screenwriter. After studying film at the Université de Montréal, Vallée went on to make a number of critically acclaimed short films, including Stéréotypes (1991), Les Fleurs magiques (1995), and Les Mots magiques (1998).

His debut feature, Black List (1995), was nominated for nine Genie Awards, including nods for Vallée's direction and editing. His fourth feature film, C.R.A.Z.Y. (2005), received further critical acclaim and was a financial success. He was such a perfectionist, and budgets were so tight, the film took almost ten years to make. Vallée's follow-up, The Young Victoria (2009), garnered strong reviews and received three Academy Award nominations. He was offered directorship of this film by Hollywood Producer Graham King, who was impressed by C.R.A.Z.Y. and wanted Vallée to make something similar. Vallée was initially unsure about accepting this offer, as he didn't much care about period films, or the British monarchy. However, his love for a cinematic challenge won out, and he researched Queen Victoria in great depth before starting the film. His sixth film, Café de Flore (2011), was the most nominated film at the 32nd Genie Awards. Vallée's next films, the American dramas Dallas Buyers Club (2013) and Wild (2014) continued this acclaim and the former earned him a nomination for the Academy Award for Best Film Editing. He was a member of the Academy of Motion Picture Arts and Sciences in the Director's Branch from 2014 until his death in 2021.He was known for his naturalistic approach to filming, encouraging actors to improvise during takes, and used natural lighting and handheld cameras. He described himself as being like "a kid on a set. A kid playing with a huge toy and having fun".Vallée ventured into television by executive producing and directing two projects for HBO, the drama series Big Little Lies (2017) and the thriller miniseries Sharp Objects (2018). For the former, he won the Primetime Emmy Award for Outstanding Directing for a Limited Series, Movie, or Dramatic Special.

He fought for two main things on his projects. Firstly, he stipulated that he did not wish to work before 9am or after 6pm. Secondly, he always wanted a good music budget, as he believed that music was at the centre of good storytelling.