The Kinetoscope is an early motion-picture exhibition device. The Kinetoscope was designed for films to be viewed by one individual at a time through a peephole viewer window at the top of the device. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video. It created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. A process using roll film was first described in a patent application submitted in France and the U.S. by French inventor Louis Le Prince. The concept was also used by U.S. inventor Thomas Edison in 1889, and subsequently developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations.

A prototype for the Kinetoscope was shown to a convention of the National Federation of Women's Clubs on May 20, 1891. The first public demonstration of the Kinetoscope was held at the Brooklyn Institute of Arts and Sciences on May 9, 1893. Instrumental to the birth of American movie culture, the Kinetoscope also had a major impact in Europe; its influence abroad was magnified by Edison's decision not to seek international patents on the device, facilitating numerous imitations of and improvements on the technology. In 1895, Edison introduced the Kinetophone, which joined the Kinetoscope with a cylinder phonograph. Film projection, which Edison initially disdained as financially nonviable, soon superseded the Kinetoscope's individual exhibition model. Many of the projection systems developed by Edison's firm in later years would use the Kinetoscope name.

The history of film as an artistic medium chronicles the development of a visual art form created using film technologies that began in the late 19th century.

Although the advent of film as an artistic medium is not clearly defined, the commercial, public screening of ten of Lumière brothers' short films in Paris on 28 December 1895 can be regarded as the breakthrough of projected cinematographic motion pictures. There had been earlier cinematographic results and screenings by others like the Skladanowsky brothers, who used their self-made Bioscop to display the first moving picture show to a paying audience on 1 November 1895 in Berlin, but they lacked either the quality, financial backing, stamina or the luck to find the momentum that propelled the cinématographe Lumière into a worldwide success.Soon film production companies and studios were established all over the world. The first decade of motion picture saw film moving from a novelty to an established mass entertainment industry. The earliest films were in black and white, under a minute long, without recorded sound and consisted of a single shot from a steady camera.

Conventions toward a general cinematic language developed over the years with editing, camera movements and other cinematic techniques contributing specific roles in the narrative of films.

Special effects became a feature in movies since the late 1890s, popularized by Georges Méliès' fantasy films. Many effects were impossible or impractical to perform in theater plays and thus added more magic to the experience of movies.

Technical improvements added length (reaching 60 minutes for a feature film in 1906), synchronized sound recording (mainstream since the end of the 1920s), color (mainstream since the 1930s) and 3D (temporarily popular in the early 1950s and mainstream since the 2000s). Sound ended the necessity of interruptions of title cards, revolutionized the narrative possibilities for filmmakers, and became an integral part of moviemaking.

Popular new media, including television (mainstream since the 1950s), home video (mainstream since the 1980s) and internet (mainstream since the 1990s) influenced the distribution and consumption of films. Film production usually responded with content to fit the new media, and with technical innovations (including widescreen (mainstream since the 1950s), 3D and 4D film) and more spectacular films to keep theatrical screenings attractive.

Systems that were cheaper and more easily handled (including 8mm film, video and smartphone cameras) allowed for an increasing number of people to create films of varying qualities, for any purpose (including home movies and video art). The technical quality was usually lower than that of professional movies, but improved with digital video and affordable high quality digital cameras.

Improving over time, digital production methods became more and more popular during the 1990s, resulting in increasingly realistic visual effects and popular feature-length computer animations.

Different film genres emerged and enjoyed variable degrees of success over time, with huge differences between for instance horror films (mainstream since the 1890s), newsreels (prevalent in U.S. cinemas between the 1910s and the late 1960s), musicals (mainstream since the late 1920s) and pornographic films (experiencing a Golden Age during the 1970s).